C.O.P.I. |
Last week I wrote about Piñones and Loíza as places to visit
for sun, sand and great food. However, these towns are also home to artisans
and artists carrying on many Afro-Puertorican traditions. They are wonderful
places to explore this aspect of the artistic history of the island.
C.O.P.I. –
The Corporacíon
Piñones se Integra (C.O.P.I.) serves many roles in Piñones. Its
headquarters, on Calle Arturo Schomburg, just east of bridge from Isla Verde,
is a place where visitors can rent bicycles and kayaks to explore the beaches
and mangrove forest of the area. After hurricanes Irma and Maria, C.O.P.I. was
a base for the distribution of food and needed materials in the area, and as an
advocate for the residents of the community.
It is also home to Majestad Negra, a folkloric dance company
that specializes in bomba,
a traditional Afro-Puertorican dance style. The music for bomba is provided by a group of drummers playing barriles, drums made from the wood of
used barrels. Most of the drummers play a rhythm for the dance, but one, the primo plays in response to the movement
of the dancer, forming a conversation, with the dancer leading, and the primo responding. C.O.P.I. also offers
classes in drumming and dancing bomba
on Saturday mornings, at 10 and 11 respectively. DJ Junny, who runs the drumming class, also
leads a taller, or workshop, that
makes barriles by hand. If you want a
one-of-a kind instrument, and you are willing to pay for this kind of
craftmanship, stop by and see him.
DJ Junny |
Samuel Lind -
Samuel Lind |
Puerto Rico is home to many fine artists, and a number of
them make this area their home. Samuel Lind
is one of them. Samuel was born and lives in the town of Loíza, where he
maintains his studio. He works in many media, oil paint, statuary and prints.
His work represents many aspects of his love for rural Puerto Rico, and his
ties to his African roots. Many of his paintings show life in small towns in
the early part of the 20th century. Another of his themes is the
celebration of Bomba y Plena the
traditional forms of dance and music. He also has created works that tie
directly to the spiritual beliefs of the Africans enslaved on the island and
their descendants. You can follow and contact Samuel through his facebook
page, or call his studio (+1 787-876-1494)
to make an appointment to visit and see, and maybe buy some of his work. Samuel
is always ready to spend some time talking about his pieces, their history and
meaning.
Taller Ayala –
By Yolydia [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)], from Wikimedia Commons |
There is a long history, especially in Spain, of presenting
the struggle of good vs evil in religious parades. One of those was the Festival
of Santiago, which celebrates the expulsion of the Moors (presented as devils)
from Spain. When that tradition was brought to Puerto Rico, Afro-Puertorican
artisans were hired to create the masks used to represent the devils, called vejigantes. Today, the creation of
vejigante masks in the traditional styles, are centered in the city of Ponce,
for its carnival celebration, and in
Loíza, for the celebration of Festival de Santiago.
By Marine 69-71 [CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)], from Wikimedia Commons |
In Loíza, the Ayala family, and their taller are the formost creators of vejigante masks, called caretas.
The Loíza style of caretas are made
from coconut shells with bamboo used for teeth and horns and they are painted
in bright colors. While the historic connection of vejigantes is to demons and invaders, because they represent the
Africans who were in Spain, they now have been given connections to the African
heritage in Puerto Rico, and are celebrated in this community.
While you can find many caretas made for tourists in San
Juan, come to Loíza for the real deal. The
Ayala family sell its work from a store front on Route 187, just up the
road from Samuel Lind’s Studio.
Getting There (from San
Juan):
C.O.P.I. - travel east along route 26 to
PR-187. Continue east on 187 past the Playa de Carolina, and cross the bridge
into Piñones. The first right over the bridge is Calle Arturo Schomburg, and it
leads into C.O.P.I.’s parking lot.
Samuel Lind and Taller Ayala -
Choice 1 – Start as above to Route 187 and continue through
Piñones to the town of Loíza. Follow the signs for Route 187.
Choice 2 – Take route 26 east to Route 3. Continue on Route 3
to the town of Canovanas. Take route 188 north until it meets with route 187.
Follow route 187 north and then turn east, staying on route 187. Continue for
about 4 KM (2.5 Miles). You will see the Batey de los Hermanos Ayala on your
right. There is a road directly across the Ayala’s and Samuel Lind’s Studio is
about 50 meters down this street.