When you think of Puerto Rican music, what images do you see?
Tito Puente playing timbales? Rita Moreno in West Side Story? JLo dancing on
the block? What do you hear? Salsa? Merengue? Reggaeton? All would be good
answers. But there is one form of music and dance that is native to Puerto Rico
and that reflects the island’s cultural roots among the enslaved Africans
brought there – Bomba!
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Getting ready for dance |
On a recent trip to Puerto Rico, the Amazing Ms. D and I had
the opportunity to attend a Bombazo,
a community celebration of music and dance. C.O.P.I., a cultural institution in
Piñones, runs Bomba drumming and dancing classes on the weekend. They also
sponsor a dance troop, La Majesta Negra, which performs Bomba around the island
and on the mainland. We heard that they would be holding a celebration of
International Women’s Day, and we put it in out calanders in pen.
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Honoring a History of Bomba |
Bomba is a call and response dance form,
but not in the way you might expect. The music of Bomba is all percussion and
vocals. Most of the players in the group maintain an on-going rhythm using
large barriles drums along with maracas and guiros. The band is accompanied by a group of singers, providing
the melody of the song. The heart of bomba is the relationship, the back and
forth, between the dancer and the main drummer, el primero. As I said, bomba is a call and response, however it is
the dancer who calls and the drummer that responds. El primero watches the dancer and respond to his or her steps. Together
the dancer and drummer create a tension of music and movement the is a joy to
watch.
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Drummers and singers |
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Narcisa Córdova Rodríguez |
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Mayra Pizarro Osoria |
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Member of the Majesta Negra Dance School |
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A bombazo is a
community celebration, and this one was called to celebrate International
Women’s Day. It honored three women dancers long associated with bomba – Lili
California (Carmen Lydia Sánchez Cepeda), Narcisa Córdova Rodríguez and Mayra
Pizarro Osorio. Commemorations were given the son and Lili California and to
Narcisa and Mayra, and then the dancing started. Mayra and Narcisa were the
first dancers, showing off their skill. Then the floor opened up, and the
“stars” of the evening began recruiting more dancers. Some of C.O.P.I.’s youth
dancers joined in. Finally, members of the crowd were “volunteered” to dance
with the drummers, and that is the beauty of a bombazo. It is joyful. People coming together to play, dance and
watch. A chance to show that Puerto Rico, and the Piñones area in particular have
survived the worst that hurricanes, and a government that ignores this part of
the island could throw at them. A chance to say “We are still here! And we are
not going anywhere!”
I attended that Toque de Bomba and couldn't stay in my seat. The drumming seduces you and next thing you know, you're up there, saluting the drummers and letting the spirit move your hips wherever they want to go. I wouldn't have missed it. And yes, this is an example of a neglected community shouting back, "here we are and we're not going anywhere."
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